Screenwriter

December 2nd, 2009

I’m not a writer. Never claimed to be and it was never my intention to become one. But if I’ve learned anything in LA it’s that you need to be the master of your own destiny. And that means I need to assume some writing duties.

I’m not going for anything big just yet. Just gonna ease myself in to the pool and take a few practice strokes working on a web comedy series I’ve been brainstorming for the last 6 months or so.

If you have any words of advice, books to recommend, or prayers – send ‘em in. Except the “just write” nugget. It’s an excellent piece of wisdom that I’ve heard now about 3 dozen times. Thanks!

iPhone 3G S and movies

June 23rd, 2009

This is a post from my nearly brand new iPhone 3G S, Apple’s newest entry into the cell phone market. This baby shoots video as well, and spies have reported that the current hardware is capable of shooting in HD although that function is not yet enabled. Still these are exciting times and I am working on a number of ventures to take advantage of this new hardware. More info as it becomes available. And of course more film news and stories coming soon!

Vixia update

March 9th, 2009

*Sigh* You know when you have something that’s so close to perfection but there’s just one tiny problem? Yeah. It exists with the Canon HF11. As detailed in the previous post I’ve been having audio issues stemming from my use of an external mic attached to the camera via a 1/8″ mini-plug. All to spec as outlined in the HF11’s manual.

I sent it in a few weeks ago only to get it back not but a week later with a “could not duplicate” notice. Er. I’m not sure how you couldn’t duplicate something as inherently simple as plugging in a cable to the back of the camera. It’s not rocket science. So, thinking I was doing something wrong I retraced my steps and tried the camera out again. I was able to duplicate the problem 6 different ways using a variety of cables.

So I made a little video to help my friends at Canon Technical Support hear what’s going wrong. Sadly I failed to capture the video for you all to admire, but it basically consisted of 1 minute of video where I recorded using the on-board mic for 30 seconds and then connected an external mic for another 30 seconds in one take. No fancy editing, you can hear me shuffling in the background. The minute that mic goes in the plug the clicks begin, regardless of whether the mic is actually turned on or not. I could take the mic off the cable completely and would still get the issue.

So I spoke with Canon again and they said to ship it back and they’ll take another look. If this turns out to be what they intended I’ll post a sample video for you folks and you can give me your feedback. Till then cross your fingers that they’ll figure out the problem and/or send me a brand new (working) camera.

In other news we’re in the final post phases of a new short that I hope to have up in a couple weeks. I’m excited for this one.

Canon Vixia HF11

February 10th, 2009

Hey all! So for Christmas I splurged and bought myself a new camera with which I hoped to shoot more videos. Here follows a bit of drama about this camera and my ownership thereof. So here’s the specs: Full HD, 1920×1080. AVCHD codec (just like the HVX-200). A revolutionary (for this price-point) 24mbps recording mode, which means more data in less space. And the big ta-da is the fact that this camera records to a solid-state memory card. Two, in fact. A built-in 32GB and a slot for any SDHC card you care to throw at it. Let me tell you the 32GB is a LOT. About 200 minutes at full rez, 1080/30i. Camera is tiny, like digital camera tiny. Images are crisp as you might expect from an HD camera, but it’s also just a lowly one-chipper. Only with an insane amount of structured lights and a solid pair of sticks could you even hope of shooting anything longer than 10 minutes on this. Luckily, that’s not my goal.

Anyway, I used the camera for a shoot a few weekends ago, the results of which can be located below. But first, here’s my main issue: sound. I have a decent shotgun mic – the Azden SGM-1X. Now, this camera is a consumer model. It doesn’t have XLR inputs or anything that fancy. You can’t ride the levels or attach multiple mics or headphones. It has a mini 1/8″ external mic plug located in the back, just above the battery. I have a few XLR-to-mini adapter cables, which, it should be noted, have worked perfectly in the past. So I get the mic plugged in to the camera, set up the shot and begin recording. Immediately upon hitting record I pick up some sort of electrical interference. I call cut, make sure all cell phones are off and resume shooting. The noise comes back. It’s intermittent, like three rapid clicks, pause, a couple more clicks, pause, three more, pause… and so on. Seems to be fairly random. I call cut again, take out the mic and listen… no clicks. I review the footage and sure enough you can hear the clips in the source. What’s causing this?

Well, we needed to shoot while we had daylight and to match people’s schedules. I decide it’s something I can cut around in post if I really cared. It was quiet enough that it would probably get lost anyway. Then we shoot the next scene. While the camera is rolling I look down at it to make sure my headphones are fully in and the external mic is connected properly and here another click. It was then that I noticed the clicks corresponded to the Access light. Everytime the camera was recording to memory that light came on, and each time it came on it caused a click in the audio which was transferred to the footage. Great.

After discussing options with some of my more technically inclined friends I tried all available options. Ferrite cores, different cables, recording while plugged in to the wall as opposed to battery… nothing helped. Then I contacted Canon. They were pretty speedy with a response. Unfortunately their ideas included turning on a TV so I wouldn’t notice the sound so much to switching off an option that wasn’t even available (the “wind screen” which is only available when you use the onboard mic and conveniently is automatically shut off when you connect an external mic). Great. So they told me to send it in. Which I did, today.

Who knows what will happen to my poor camera that I had for just a scant period of time. But until then, watch this little short I shot with a bunch of friends over a weekend. Fun times. Next short should be out in a few weeks.


Stray Doug from Dom Zook on Vimeo.

Film Fighting Workshops!

January 25th, 2009

Friend of GadZook Films, Kevin Inouye (aka the Fight Designer), has some upcoming workshops up in Seattle. I highly recommend these classes. Kevin knows his stuff and is a great person to talk to about filming needs. Even the smallest projects would benefit from Kevin’s expertise. Don’t guess when you can know, especially if you’re using weapons on set. And Kevin knows. Check ‘em out!

Film Fighting Workshops

from Fight Designer, LLC.

March 28th, 1-5pm.
Intro to Film Fighting
This class is perfect for the martial artist or stage combatant wanting to learn how to adapt their skills for fighting on camera. Topics covered include camera awareness, playing the angles, basic on-set protocol, and how to use the medium to make your fights look good. Everyone will get time in front of the camera, with time to analyze the results as a group.
$45 pre-registration, $50 at the door.

April 4th, 1-5pm
Tricks of the Trade
This class delves into how we can use video or film to really push the limits of what we can show in-camera. Creative use of angles, editing, props, and some very minor stunt gear can help us make superhuman stuntmen/women out of just about anyone. Our hits can be harder, our falls can be higher, our moves flashier, or our violence more convincing. The emphasis here is on techniques that could be available to the typical low budget Seattle area production. While the stunt performers will get to have the most fun, this class could also be of great interest to anyone wanting to direct, shoot, or coordinate action scenes, and we may get participants from several areas of production. Those willing to get messy may get to play with blood effects.
$45 pre-registration, $50 at the door.

April 18th, 1-5pm
Modern Firearms for the Stage and Screen
Gun handling skills are essential for modern action scenes on the stage or the screen. We’ll cover both safety and style, with a focus on modern police/military tactical firearms use. Learn how to stage a gunfight that’s safe and reads as a FIGHT! Besides basic handling, we’ll look at the specialized tools of our trade, carrying, drawing, reloading, and reholstering, weapons disarms/retention, and small unit tactics. We’ll also explore reactions to gunshots and blood effects. Everyone who wishes to will get to fire blanks, as well as handle a variety of weaponry.
$50 pre-registration, $55 at the door.

COMBINED REGISTRATION:
Sign up for all three workshops for $125!

Registration:
Email Kevin Inouye at action@fightdesigner.com to put your name on the registration list. Be sure to include which workshop(s) you will be attending. Payment can be made in advance or on the day of your first workshop, via cash or credit card.

Instructor:
Kevin Inouye has been doing fights for both stage and screen for the last decade. His training includes recognition through the Society of American Fight Directors, but has also been heavily informed by his studies of both Asian and European martial arts, a psychology and research background, and by additional stage combat and stunt training from the International Order of the Sword & Pen, Hellbenders fire stunts, and Hazard Factory stunts. He is sole proprietor of Fight Designer, LLC, providing fights, gun wrangling, instruction, and prop weaponry to the Seattle area and beyond.

Venue:
Lee’s Martial Arts is located in West Seattle, at 3270 California Ave SW.

Party Pooper

December 16th, 2008

Hey folks!

So my friend Mark over at Cassava Films put together a little shoot a couple months ago. The short film, entitled “Party Pooper,” is on Funny or Die right now and just last week was #1 on the User Picks list! Go check it out. You might recognize a certain bearded film-blog-ateer.

Party Pooper – watch more funny videos

Enjoy it, vote Funny. Didn’t enjoy it? Well, let’s be honest you probably didn’t even watch it all the way through. You suck. Go back and rewatch it! It’s funny! And then head on over to the GadZook Films page on Funnyordie and enjoy some of those, too!

T-Shirts

December 8th, 2008

Hey everyone! So some exciting news just in time for the holiday season. As many of you know we here at GadZook Films have been collecting a slew of funny sayings and non-sequiturs. What better way to enjoy them than on a t-shirt? Without further ado, ladies and gentlemen, the GadZook T-shirt store!

T-shirts are now available from GadZook Films!

T-shirts are now available from GadZook Films!

We’re beginning a fundraising push here to raise some money for equipment upgrades and more. Stay tuned for the unveiling of our IndieGoGo fundraising site in the next couple of weeks.

Who wants to pay for internet video?

November 29th, 2008

To stream or to subscribe. iTunes vs. Hulu. The immortal question that faces you, the end-user. How content will be accessed by the masses will effect you the filmmaker as well. As more and more distributors, content providers and studios are moving towards an online business models the landscape of developing content for the internet has exploded. But the concepts behind monetizing that content is still a matter of contention.

There are roughly two models – advertising and subscriber-based revenue.

Advertising is simple. There are the ads on the site and those that are embedded within the video itself. These are tallied on a CPC (cost per click) and CPM (cost per milli, aka cost per 1000 impressions). There’s also flat-rate advertising, which is the most like traditional print advertising – someone buys web real estate for their ad to run for a specified amount of time. No click measurements to track.

With subscriber-based revenue the focus is on charging customers to view content. I guess that’s more simple than ad-based revenue. Hmm. Anyway, moving on!

OK, so what are the pros and cons and what’s right for you?

Let me answer that last question first. Both. There is no right or wrong method for finding a solid revenue stream right now. But there are considerations to be made.

With advertising, you provide your content to your audience for free. In return you need to toss ads up, around, in and on your video to reach the desired goal. If you’ve ever been to Hulu you’ve seen the most recent logical step in ad placement, which is basically laying commercials in the video where the commercials would go if you were watching it on TV. You usually cannot skip these ads but clicking them will only open a new window, allowing you to stick with the action and buy something later.

As an independent filmmaker ads are the most widely usable forms of revenue. You have a very limited audience and your content needs to be stellar for people to want to pay to view it. You can team up with Google and lay ads around your site or seek out advertisers and offer them play within your videos.

Without a large audience share your choice of advertisers (and the money they might bring) is small, but it could keep you in business. It all boils down to views. The larger your audience, the more money you make with advertising. If you can show you get 10,000+ views per video you’ll have a good shot at making decent money.

The main drawback to advertising is that too much is a bad thing. You want your audience to be able to navigate away from it if they desire, or at least make its impact as small as possible. Look for CPC and Flat-rate ads mainly. Unless you’re averaging 10,000+ website hits a day stay away from CPM.

For further reading, check out Google AdSense which will help you ad relevant ads to your website. And eMarketer tends to talk about the industry as a whole, including new advertising models if the current ones just don’t float your boat. I now open the floor to any questions and comments.

Social Media Fundraising?

November 21st, 2008

EDIT: Since I wrote this more research has revealed some specifics. I’m sharing that now. Thanks!

Lots of exciting things going on here at GadZook Films. First off I started a Twitter account. You can follow me and the GadZook crew by clicking the little icon in my sidebar.

GadZook Films is also on Myspace and Facebook, so add us to your friends and group lists! You’ll feel so smug when all of your friends marvel at how GadZook Films was your friend months before we accepted their friend request. There’s a link in the sidebar to the Facebook group as well, if, ya know, you just like to watch.

But here’s the real issue: can independent filmmakers, like us here at GadZook Films, raise money using the internet’s vast social networking resources? The folks at IndieGoGo believe we can. They have an interesting, albeit not new, business model. You, as Joe Filmmaker, set up a project on their site, establishing a specific fundraising goal. You e-mail friends, family, fans and let them know about what you’re doing and how they can help. Theoretically the whole 6 degrees of separation should nab you more fans and more potential donors.

With regards to the fundraising aspect of IndieGoGo, it’s a pledge system. Donors may pledge money to your cause using Amazon Payments (a filmmaker must setup an Amazon Merchant account). Money is not taken out of the donor’s account, however, until the project meets its goal. IndieGoGo charges a 9% administration fee against all the money you end up actually raising. If you don’t get any of the money then you don’t pay. 9% is pretty high, more than some of the film-related non-profit umbrellas I’ve worked with in the past charge anyway.

For the record, Fundable.org, another web-based fundraising tool for filmmakers, charges a 10% admin fee. They use PayPal instead of Amazon to delivery payments.

It’s basically a method of leveraging any sort of social network you’ve constructed for yourself to help raise money for film projects. And I’m going to be a guinea pig and try it out. Head over to my IndieGoGo site, become a fan of GadZook Films and stay tuned. I’ll be uploading a project in the next week and try to raise some financing for it. Help me out and you’ll see first hand how it’ll help! Questions, comments?

In next week’s column I’ll discuss paying for online video content.

Flash and Marketing

October 29th, 2008

I’ve been working on a new post about IPTV but it’s going to have to wait. I really do believe there’s a paradigm shift coming in distribution models for independent filmmakers though. In the meantime I thought I’d post a bit about my experiences making my website “embedder” friendly. What do I mean by that? Well, it all boils down to Flash. Youtube, Vimeo, Revver, CollegeHumor… the all use a form of Flash file for their video. This reduces file size and makes the file very compatible across many different browsers and operating systems.

The small file size also allows the creator to allow the user to copy a short embed code to paste the video into their favorite blog or social networking page! Over the next few weeks I’m going to be testing some software and eventually updating ALL of my videos with Flash rather than Quicktime. In some cases there will still be downloadable high-resolution versions of the videos as well.

Below you can see the fruit of my labor thus far. Feel free to compare it to the Quicktime version found on my video page!

Get the Flash Player to see this player.